E-commerce product photography
Catalogue shoots built to marketplace specification — crop, background and resolution per channel. Shot to the list, so the exports arrive ready to upload.
(01)Shot for the
page it has to fill
Product, model and campaign photography planned against the pages, posts and ads the images have to fill, so nothing arrives the wrong shape.
Most shoots go wrong before the camera comes out. Nobody asks where the images are going, so the crops are decided in the room rather than by the listing, the banner and the grid that have to carry them. The photographs come back beautiful and none of them fit, and somebody spends a week cropping.
Every marketplace and platform wants a different crop, a different background rule and a different minimum resolution. We start from that list — your site, your Amazon or Flipkart listing, the ad set, the print catalogue — and shoot to it, so the exports arrive ready to use.
The studio sits in the same building as the web, design and content teams, which is why a shoot here is planned against the pages it has to fill rather than delivered as a folder and handed on. When the site, the campaign and the shoot come from one brief, the photography is made for the layout instead of being fitted to it afterwards.
You get the originals at full resolution, retouched selects, and every export size the channels need. Full usage rights, no time limit, no per-use licence — the images are yours to run anywhere, for as long as you like.
Catalogue shoots built to marketplace specification — crop, background and resolution per channel. Shot to the list, so the exports arrive ready to upload.
(01)Product in use and on a person, for the pages and campaigns where scale, fit and context sell harder than a cut-out ever will.
(02)Two categories where the shoot decides whether the product sells. Gold that reads warm rather than yellow; food photographed inside the few minutes it still looks its best.
(03)Vertical video cut for Reels, Shorts and paid social, shot in the same session as the stills so a month of content comes from one booking.
(04)A fashion label losing margin by shooting every drop separately and posting without a plan in between.
A full season shot in one session against the store, the grid and the ads it had to fill for the next three months.
A showroom whose online presence had to match the standard customers saw in the shop.
Catalogue shoot planned before the site was built, so the photography was made for the pages and the grid it fills.
A retailer scrambling to produce fresh campaign imagery every festival season.
One controlled session feeding social, the print catalogue and the banners, with every crop exported from the same shoot.
How we build sites that convert — planned together, not assembled one piece at a time.
We start from where the images are going: your site, the marketplace listing, the ad set, the catalogue. Each has its own crop and background rule, and the shot list is built from that before a date is booked.

Lighting built for the material — metal, fabric, glass and food each need a different setup. Props and styling prepared before the session so the day is spent shooting rather than hunting.

Stills and vertical video from the same session, reviewed on screen as we go so nothing is discovered to be wrong a week later. You can be in the room or approve remotely.

Colour, cleanup and consistency across the whole set, then exports in every size the channels need — plus the full-resolution originals, with usage rights that do not expire.

3–5 weeks for a full business website, 1–2 weeks for a landing page sprint. We take a limited number of builds each month so every one gets a strategist and a designer, not a queue.
What sold us was that the photography, the site and the brand came from one team. We had spent years stitching three vendors together.
The photographs, the site and the posts finally look like they came from one place. Customers arrive already knowing what they want to see.
Every festival used to be a scramble. Now the whole campaign is designed before the season starts.
The carousels are the first ads we have run where people actually get to the last card.
The posts look like a showroom now. Dealers have started sending them on themselves.
In our own studio in Ahmedabad. For clients outside Gujarat we either travel for the shoot or arrange a courier-in workflow for products, and we quote either option before you commit.
Retouched selects usually within a week of the shoot, full sets within two. If a launch date is driving it, tell us up front and we will build the schedule around it rather than around ours.
Yes, outright, with full usage rights and no time limit. Run them on the site, on marketplaces, in print and in paid ads for as long as you like — there is no per-use licence to renew.
Yes, and it is much cheaper than booking twice. Vertical video for Reels and Shorts comes out of the same session as the stills, which is most of why a month of content works out affordable.
Yes. We cast, style and handle grooming as part of the shoot, quoted separately so you can see what it costs and drop it if the product carries the shot on its own.
That is the starting point. Amazon, Flipkart and your own store each want different crops, backgrounds and minimum resolutions, so we build the shot list from that list rather than cropping to fit afterwards.
Quoted per shoot day plus retouching, against a shot list you approve. The number of SKUs and whether models are involved move it more than anything else. You get a written figure before the date is held.
No cost to ask, no obligation. Send the brief and a strategist replies within one working day with a scope and a number.