Social media management
A monthly calendar of grid posts, stories and reels built around campaigns, written and designed here. Volume is stated in the scope, so a retainer means something specific.
(01)Social media that
sells, not just posts
A calendar built around campaigns instead of posts, so every month has a reason to exist, a number to hit, and content shot in our own studio rather than scraped together.
Most business feeds run the same cycle: three weeks of silence, then a burst of discount posts, then silence again. Nothing connects to anything, the grid reads as a pile of unrelated images, and by the time a buyer arrives there is no reason to follow, let alone to buy. The problem is almost never the design of the individual post.
A campaign gives the month a subject — a range, a season, a question customers keep asking — and every post that month serves it. You approve the calendar before a single file is designed, so you know in advance what is going out, why, and what we are measuring at the end of it.
Content and production sit in the same building here, which changes the economics more than anything else we do. A reel and the stills that support it come out of one session rather than two bookings, so a month of content costs what most agencies charge for a shoot alone.
It also changes the quality. The person planning the campaign is in the room when it is photographed, so the shot list already knows what the caption is going to say. Nothing gets cropped to fit after the fact.
A monthly calendar of grid posts, stories and reels built around campaigns, written and designed here. Volume is stated in the scope, so a retainer means something specific.
(01)Product, lifestyle and founder content shot in our own studio. Vertical video cut for Reels and Shorts, with the stills from the same session.
(02)Diwali, wedding season, Navratri and launch campaigns designed as a set rather than as individual posts, so the season holds together across every channel.
(03)Bio, highlights, grid structure and a template set your own team can post from between campaigns without the feed drifting off-brand.
(04)A family retailer with a full showroom and an empty feed, scrambling to produce something new every festival.
Season-led campaigns planned before the rush, with the shoot, the print and the grid all designed from one brief.
A kitchenware brand whose product photography was not strong enough to carry paid or organic content.
Product library shot first, then carousel creative and an organic grid built from the same sets.
A manufacturer whose real audience is the dealer and the architect, not the homeowner.
Range announcements and product campaigns designed so distributors reuse them under their own name.
How we build sites that convert — planned together, not assembled one piece at a time.
We look at what you have posted, what actually landed, and what your competitors are doing that you are not. Most feeds already have one format that works and nobody noticed.

Subjects, formats and volume for the month, mapped to what is actually happening in your business — a launch, a season, a question customers keep asking. You approve it before design starts.

One studio session covers the month: product, lifestyle and vertical video together. Then design, copy and scheduling, with everything reviewed before it goes live.

We schedule, publish and watch what happens, then report at month end on what earned saves, shares and enquiries — and what we are dropping next month because it did not.

3–5 weeks for a full business website, 1–2 weeks for a landing page sprint. We take a limited number of builds each month so every one gets a strategist and a designer, not a queue.
Every festival used to be a scramble. Now the whole campaign is designed before the season starts and we just watch it go out.
The carousels are the first ads we have run where people actually get to the last card.
The posts look like a showroom now. Dealers have started sending them on themselves.
People stopped asking what it is and started asking where to buy it.
The photographs, the site and the posts finally look like they came from one place.
It is written into the scope before you sign — grid posts, stories and reels, counted. A retainer that does not state volume is not a retainer, it is a hope, and we would rather argue about the number up front than at the end of month three.
Yes. Plenty of our clients’ audiences respond better in Gujarati or Hindi than in English, and a caption translated badly is worse than one written natively. We write in the language the audience actually uses.
Yes, in our own studio, in the same building as the team planning the calendar. Reels and stills come out of one session rather than two bookings, which is most of why the cost works.
We can. Paid social is quoted separately from organic because it is a different job with a different measure — but running both together means the ad creative and the grid are designed from the same sets.
Social needs about three months before the numbers mean anything, so that is the initial term. After that it runs month to month. We will tell you honestly at month three whether it is working.
Yes. We can run strategy and calendar while your designer executes, though it works better when the person planning the campaign is also drawing it.
Instagram and Facebook as standard, YouTube Shorts and LinkedIn where the audience is genuinely there. We would rather run two platforms properly than five at a quarter strength.
No cost to ask, no obligation. Send the brief and a strategist replies within one working day with a scope and a number.